design Matt Schickele
tracks 2-1, 2-3, 3-1 to 3-4 edited by Rudolph De Grood
tracks 2-1 to 3-4 engineer Rudolph De Grood
tracks 1-1 to 1-4 engineer Rusty Paine
liner notes Larry Austin
mastered by David Rosenblad
tracks 1-1, 1-3, 2-3 recorded by Rudolph De Grood
reissue producer Al Margolis
reissue producer Larry Austin
Manufactured By Bellwether Manufacturing
Glass Mastered At Disque Americ
Pressed By Disque Americ
Funded in part through a grant from The Aaron Copland Fund for Music, Inc.
Mastered at DRM Productions, Dallas, TX.

Comes with 20-page booklet.

Most of the original tape masters for the records, after over forty years, have vanished or have seriously deteriorated; hence, we have carefully transferred, noise-reduced, and crackle-removed all the actual LP record tracks to the digital medium, then mastered to the compact disc format for this reissue: the result is an authentic recreation of the original LP, characteristic sound.

The Wolfman (1964), performed in concert at the First Festival of Live-Electronic Music, 1967, University of California, Davis and engineered in Columbia Recording Studios, New York.
Wave Train (1966), performed in concert at the Center of the Creative and Performing Arts, Buffalo, New York, 1968 and engineered in Columbia Recording Studios, New York.
Accidents (1967), recorded at the University of California, Davis, 1968 and engineered in Columbia Recording Studios, New York.
Pitch Out (1967), performed in the studio of Musica Elettronica Viva, Rome, 1968 and engineered in Columbia Recording Studios, New York.
I am sitting in a room (1970), realized in Middletown, Connecticut.
Velox (1970), realized on the PDP-10 computer with final electronic processing on the Moog Synthesizer.
Phlegethon (1970), realized at University of California, Davis.
Caritas (1971), realized on the PDP-10 computer with final electronic processing on the Buchla Electronic Music System.
moosack machine (1971), realized with the composer's analog/digital computer music system.
Video II (B)/(C)/(L) (1965), realized at the University of Toronto Electronic Music Studio.
english phonemes (1971), realized at the studios of Sveriges Radio, Stockholm.
Magic Carpet (1971), recorded at the Gallery Arco D'Alibert, Rome, Italy.
Tiger Balm (1971), realized at Tangent Studio, and at the Electronic Music Studio, University of London, Goldsmith College.

Source Records 1 and 2 originally issued with Source Magazine Vol. 2, No. 2, Issue 4, July 1968.
Source Records 3 and 4 originally issued with Source Magazine Vol. 4, No. 1, Issue 7/8, July 1970.
Source Records 5 and 6 originally issued with Source Magazine Vol. 5, No. 1, Issue 9, 1971.

The copyright on the discs is 2008, but this was not released until 2009.

Barcode: 7 60342 10502 2 (Text)
Barcode: 760342105022 (String)
Matrix / Runout: WWW.BELLWETHERMFG.COM 09648<7205>P2105021 (CD1)
Matrix / Runout: WWW.BELLWETHERMFG.COM 09658<7205>P2105022 (CD2)
Matrix / Runout: WWW.BELLWETHERMFG.COM 06517<7205>P2105023 (CD3)
Mastering SID Code: IFPI L489 (All discs)
Mould SID Code: IFPI 811F (All discs)