art direction Fred Münzmaier
booklet editor Manuela Amadei
cello Matt Haimovitz
tracks 1-13 to 1-15 composed by Anton Webern
tracks 1-1 to 1-9 , 1-22 to 1-27 , 2-10 to 2-14 & 3-4 to 3-13 composed by Benjamin Britten
tracks 1-19 to 1-21 composed by Claude Debussy
tracks 1-10 to 1-12 composed by George Crumb
tracks 2-25, 2-26 composed by George Perle
tracks 3-16, 3-17 composed by György Ligeti
tracks 3-15 composed by Hans Werner Henze
tracks 1-16 to 1-18 composed by Henri Dutilleux
tracks 2-21 to 2-24 composed by John Harbison
tracks 3-14 composed by Luciano Berio
tracks 2-9 composed by Mario Davidovsky
tracks 2-1 to 2-3 composed by Max Reger
tracks 2-4 to 2-8 composed by Paul Hindemith
tracks 2-15 to 2-20 composed by Roger Sessions
tracks 3-1 to 3-3 composed by Zoltán Kodály
tracks 3-1 to 3-13 engineer [tonmeister] Andrew Wedman
tracks 1-13 to 1-27 engineer [tonmeister] Gernot Von Schultzendorff
tracks 3-14, 3-15 engineer [tonmeister] Max Wilcox
tracks 2-4 to 2-26 engineer [tonmeister] Ulrich Vette
tracks 1-1 to 1-12 , 2-1 to 2-3 & 3-16, 3-17 engineer [tonmeister] Wolfgang Mitlehner
liner notes Keith Potter
liner notes Matt Haimovitz
liner notes Philippe Cassard
liner notes [liner notes in english] Tully Potter
liner notes [liner notes in french] Pierre Gervasoni
liner notes [liner notes in german] Michael Struck-Schloen
management [project management] Susanne McBurney
photography by [booklet cover] Christian Steiner
photography by [cover photo] Karina Schwarz
tracks 1-13 to 1-15 , 1-19 to 1-21 & 1-23 to 1-27 piano Philippe Cassard
tracks 1-13 to 1-27 producer Arend Prohmann
tracks 2-4 to 2-26 producer Karl-August Naegler
tracks 3-14, 3-15 producer Max Wilcox
tracks 3-1 to 3-13 producer Werner Mayer
tracks 1-1 to 1-12 , 2-1 to 2-3 & 3-16, 3-17 producer Wolfgang Mitlehner
Phonographic Copyright (p) Deutsche Grammophon GmbH
Copyright (c) Deutsche Grammophon GmbH
Mastered At Emil Berliner Studios
Pressed By Universal M & L, Germany
Pressed By EDC, Germany
Pressed By Universal M & L, Germany
Recordings:
- Tracks 1-1 to 1-12 , 2-1 to 2-3 & 3-16, 3-17: Abersee (St Gilgen), St Konrad's Church, 9/1990.
- Tracks 3-1 to 3-13: Hamburg-Harburg, Friedrich-Ebert-Halle, 9/1993.
- Tracks 3-14, 3-15: New York, American Academy and Institute of Arts and Letters, 2/1994.
- Tracks 2-4 to 2-26: Chicago, Medinah Temple, 11/1995.
- Tracks 1-13 to 1-27: Paris, IRCAM Studio, ESPRO, 12/1996.


℗ 1991 (tracks 1-1 to 1-12 , 2-1 to 2-3 & 3-16, 3-17) / 1995 (tracks 3-1 to 3-15) / 1997 (tracks 2-4 to 2-26) / 1999 (tracks 1-13 to 1-27) Deutsche Grammophon GmbH, Hamburg.
© 1991 Keith Potter.
© 1995/1997/1999 Deutsche Grammophon GmbH, Hamburg.

Issued in a fatboy clear jewel box.

Barcode: 028947755067
Barcode: 0 28947 75506 7 (Text)
Rights Society: BIEM/SABAM
Label Code: LC 0173
SPARS Code: DDD
Matrix / Runout: 00289 477 550-7 01 ✻ 51591352 (CD1)
Matrix / Runout: MADE IN GERMANY BY UNIVERSAL M & L A (CD1 mould)
Mastering SID Code: IFPI LV26 (CD1)
Mould SID Code: IFPI 0127 (CD1)
Matrix / Runout: 00289 477 550-8 01 ✻ 51595187 (CD2)
Matrix / Runout: Made in Germany by EDC C (CD2 mould)
Mastering SID Code: IFPI LV26 (CD2)
Mould SID Code: IFPI 0139 (CD2)
Matrix / Runout: 00289 477 550-9 01 ✻ 51597013 (CD3)
Matrix / Runout: MADE IN GERMANY BY UNIVERSAL M & L A (CD3 mould)
Mastering SID Code: IFPI LV26 (CD3)
Mould SID Code: IFPI 0127 (CD3)
Matrix / Runout: [Universal logo] x4 (CD1 to CD3)
Other: 477 5507 (Cat# CD1)
Other: 477 5508 (Cat# CD2)
Other: 477 5509 (Cat# CD3)
Other: G TR3 (Suffix catalog# - boxed in separately)