art direction Hartmut Pfeiffer
baritone vocals Akos Banlaky
baritone vocals Dirk D'Ase
baritone vocals Urban Malmberg
bass vocals José van Dam
bass vocals Tom Krause
booklet editor Daniel Fesquet
chorus Arnold Schoenberg Chor
chorus master Erwin Ortner
composed by, libretto by Olivier Messiaen
conductor Kent Nagano
design WAPS
edited by Ingmar Haas
edited by Matthias Schwab
engineer [balance] Rainer Maillard
engineer [recording] Ulrich Vette
engineer [recording] Wolf-Dieter Karwatky
executive-producer Christopher Alder
interviewer [in booklet] Jean-Christophe Marti
liner notes Olivier Messiaen
liner notes Theo Hirsbrunner
musical assistance, repetiteur Christophe Durrant
ondes martenot Dominique Kim
ondes martenot Jeanne Loriod
ondes martenot Valérie Hartmann-Claverie
orchestra Hallé Orchestra
producer [recording] Sid McLauchlan
soprano vocals Dawn Upshaw
tenor vocals Chris Merritt
tenor vocals Guy Renard
tenor vocals John Aler
Phonographic Copyright (p) Deutsche Grammophon GmbH
Copyright (c) Deutsche Grammophon GmbH
Recorded At Felsenreitschule, Salzburg
Published By Editions Alphonse Leduc
Printed By Neef
Printed and Made in Germany

Recording: Salzburg: Felsenreitschule, 8/1998

Saint François d'Assise (Opera in three acts)
José van Dam (Saint Francis)
Dawn Upshaw (The Angel)
John Aler, Akos Banlaky, Dirk D'Ase, Tom Krause, Urban Malmberg, Guy Renard (Brothers)
Chris Merritt (The Leper)
Hallé Orchestra/Kent Nagano
Deutsche Grammophon 445176-2 DDD 4CDs 66:49, 64:13, 43:09, 60:45

The most ambitious work by 20th-century French master Olivier Messiaen, Saint Francis is also his most all-embracing. He spent nearly a decade creating the opera, which not only encapsulates the composer's abiding Catholic faith but draws on a lifetime of musical discovery and brings together the elements of Messiaen's far-ranging, rich vocabulary: birdsong and nature as a source for music, Eastern modes, complex rhythms derived from ancient Greek poetry and Hindu talas, plainsong, and percussive gamelan-like sonorities, to list a few of the most salient. Messiaen chose Francis for operatic representation as the saint most like Christ and wrote his own libretto, using the gentle poetry of the Fioretti. The opera avoids dramatic tension but instead--almost ritualistically--portrays the infusion of grace through a series of encounters, including an angel playing music that offers a taste of heaven's bliss (marvelously orchestrated for ondes Martenot) and the famous scene of St. Francis preaching to the birds, in which Messiaen stacks multiple bird calls on top of each other in an inspired passage of organized chaos.
This live recording was made during 1998's Salzburg Festival, and Kent Nagano (who had studied the work directly with Messiaen during the opera's premiere in 1983) marshals the score's 119 players and enormous chorus into a spectacular series of symphonic frescoes. He is sensitive both to the resonant use of silence in the score's interstices and--most memorably--to Messiaen's rare achievement in creating music to express perfect joy. And the cast he works with is unbeatable: José van Dam conveys immense compassion and presence in the almost unbelievably strenuous demands of the title role, while Dawn Upshaw sings the angel with a penetrating purity. This masterpiece demands time to get to know it--more than the four hours it takes to unfold--but once you know it, its rewards are immense. --Thomas May

Track 2-13: It is written Gerygone instead of the correct form Gérygone
Barcode: 0 28944 51762 0
Barcode: 028944517620 (Scanned)
Label Code: LC 0173
SPARS Code: DDD
Rights Society: BIEM/MCPS
Other: 445 177-2 (Catalog# CD1)
Other: 445 178-2 (Catalog# CD2)
Other: 445 179-2 (Catalog# CD3)
Other: 445 180-2 (Catalog# CD4)