artwork Paul Insect
beats, scratches DJ Shadow
design [additional] Will Scott
legal Jamie Young
legal Paul Richards
legal [licensing specialist/sample clearance] Rob Sevier
legal [licensing specialist/sample clearance] The Numero Group
management TaP Management
management [business] Tony Peyrot
mastered by [mastering assembly] Bob Macc
producer, programmed by, arranged by DJ Shadow
Phonographic Copyright (p) A&M Records Ltd.
Copyright (c) Reconstruction Productions
Copyright (c) New Futility Music
Record Company Universal Music Operations Ltd.
Licensed From Universal International Music B.V.
Licensed To Mass Appeal Records, LLC
Published By New Futility Music
Published By Definitive Jux Music
Published By Pulse Music (4)
Published By Aniyah's Music
Published By The Royalty Network
Published By Manners McDade Music Publishing
Published By Copyright Control
Published By Michele Publ. Co.
Published By Bleep Bloop Music
Published By G Jones Music
Published By Kobalt Songs Music Publishing
Published By Kobalt Songs Music Publishing
Recorded At Thrum Studio
Recorded At Circuit Studios
Recorded At 80 Hertz Studios
Made By Sound Performance
Manufactured By The ADS Group
Issued in a 3-panels cardboard digisleeve, together with a sticker sheet representing the mountain on cover and a stencil of the personage with his crown. Pre-orders of the CD received an email to download the MP3 @ 320 kbps album. Tracks length not printed on release, retrieved using a computer.

Publishing:
Tracks 1, 3, 6, 7, 10 to 12: New Futility Music, ASCAP [J. Davis] [Administered by Kobalt Songs Music Publishing]
Track 2: New Futility Music, ASCAP [J. Davis], Definitive Jux Music/Pulse Music, SESAC [J. Meline], Aniyah's Music/Royalty Network, ASCAP [M. Render]
Track 4: New Futility Music, ASCAP [J. Davis], Manners McDade [N. Frahm]
Track 5: New Futility Music, ASCAP [J. Davis], Copyright Control [E. Upton]
Track 8: New Futility Music, ASCAP [J. Davis], Copyright Control, MCPS/PRS [M. Halsall & T. Modi]
Track 9: Michele Publ. Co., BMI [D. Stanley], New Futility Music, ASCAP [J. Davis], Bleep Bloop Music, ASCAP [A. Triggs], G Jones Music, ASCAP [G. Jones]

1 Contains interpolation of Prima Alba by Dario Baldan Bembo ([l90843], 1975).
2: Brass recorded at Thrum Studio, London.
Contains interpolation of Ol' Man River by Caterina Valente ([l1060], 1968).
5: Vocal treatments recorded at Circuit Studios, SF.
Contains a sample of Every Day Is The Weekend by Celly Cel ([l2186] Records, 1998).
8: Live instrumentation recorded at 80 Hertz Studios, Manchester.
9: Contains interpolation of Pitter Patter by The Birdies ([l206967], 1965).
10: Contains interpolation of Color Blind by Ice Cube ([l2715], 1991).
11: This is the most ancient track of this album as it was initially released on November 4th, 2014 on The Liquid Amber EP.
(P) 2014 A&M Records Ltd. a division of Universal Music Operations Limited. Licensed courtesy of Universal International Music B.V.

For Mass Appeal Records: Amit Nerurkar, Peter Bittenbender
Thanks Jack Dangers @ [l303763] for the use of the Synthi 100.

In booklet: © 2016 Reconstruction Productions, Inc., under exclusive license to Mass Appeal Records, LLC.
On back sleeve: © 2016 New Futility Music (ASCAP), all rights worldwide administered exclusively by Kobalt Songs Music Publishing.
Barcode: 8 12814 02035 4 (Text)
Barcode: 812814020354 (Scanned)
Matrix / Runout: SOUND PERFORMANCE 15133-CD-0268 16-127-16
Mastering SID Code: IFPI LK13
Mould SID Code: none
Rights Society: ASCAP
Rights Society: SESAC
Rights Society: MCPS/PRS
Rights Society: BMI